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Dom Juan in Vanuatu

First representation at the College de Luganville for the troop of the "théâtre de l'île" based in New Caledonia. For Kiki (born in Luganville and lived on Santo until his six years), Dominique-Pierre, Moana, Yunita (woman Ambrym), Victor and Domenica (the boss of the team), the first show was really hard because of the climatic conditions… Too hot was Vanuatu, too hot… The small troop, after having animated small workshops in the morning at the College de St Michel and at the College of Luganville.

           

Dom Juan in Tasmalum

48 years after…

The son of Pasteur Siorem Kare returns in Ipayato 48 years after left the grounds of the south Santo. His/her father was one of the first builders of the school of Ipayato which was transferred ten years later to Tasmalum, which was more convenient for the accosting of the boats.

Second representation…

 
Second representation in a college very far away from the city, this part caused laughter through all the public. The smallest classes, not having the practice of great elocutions, had fun tomfooleries of Dominique Férié, most attentive of them, have appreciated the texts of Molière.

Dom Juan à Port-Olry

 Vendredi 1er juin : dernière représentation sur Espiritu Santo 

After having given homage to the students of Luganville and Molivalivu, Dom Juan has moved towards one of the most beautiful villages of the Vanuatu, Port-Olry. Second larger village of the Vanuatu, Port-Olry lodges two schools, the primary school Ste Anne and the college Ste Anne which have, both, accomodated this a little particular team.

 

Would Espiritu Santo have brought a wind of madness on the small troop of the "Théâtre de l'île"? Always it is that the part Dom Juan changed with Port-Olry into Sganarelle and that some amasing situation appeared for the greatest pleasure of smallest. Comic situations, amusing for the public, upseting certainly for the actors are, in turn, happened during the day. Sganarelle thus played a part of disturber what initially caused a track race between the attacked and the attacker as well as the underhand anger of the Kommander which, supported by gentle breeze, refused that the doors of Hell stood during the play.

  

Théâtre de l'île
 
© 2007